Levina teerlinc biography sample

Levina Teerlinc was a Flemish artist at the Tudor court who has rarely been mentioned throughout history, due to a multitude of reasons. Levina Teerlinc played an essential role in the artistic history of the Tudor court, yet she is rarely mentioned compared to other Tudor artists.

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There are many reasons for this. Not only was it easy for a woman artist to be overlooked throughout history, but the circumstances surrounding her work made it incredibly hard for art historians to attribute her work correctly. Levina Teerlinc has become a forgotten artist of the Tudor court, but modern art historians have started to take an interest in her mysterious oeuvre.

Levina Teerlinc was a Flemish artist specializing primarily in miniature portraits and illuminated manuscripts, both of which she learned how to do from her father, Simon Bening. He served as their dean of calligraphers, booksellers, illuminators, and bookbinders.

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He died in Bruges in as one of the last notable artists of the Netherlandish tradition. Two of his daughters continued his legacy: Levina Teerlinc and her sister, Alexandrine Claeiszuene, who became a prominent art dealer. While her sister stayed in mainland Europe, Levina Teerlinc took an internship at a workshop in Rome before emigrating to England when she was invited to be a court artist by the King in There, she became a royal court member, serving as an official painter to the King and a lady-in-waiting to two subsequent Queens.

There are a handful of miniatures thought to have been painted by Teerlinc. Though much of her work is lost, she must have been a highly prominent artist to receive an invitation from the King of England and become one of the highest-paid artists of the English court throughout the reigns of Mary I and Elizabeth I. There are many reasons for her successful career being nearly lost to time.

The first reason, and likely one of the most glaring reasons, was her gender.