Rose finn kelcey biography of martin
She died on 13 February of motor neurone disease. Finn-Kelcey worked in a variety of media including performance, video, sound, installation, sculpture, photography, papercut and posters. Finn-Kelcey's work in the late s and s emerged alongside that of increasing numbers of artists concerned with formal experimentation and conceptual practices.
Several of the early works consisted of making and flying flags in publicly visible spaces, as in Power for the People Commissioned by the Central Electricity Generating Board, the flags were removed due to complaints from Chelsea residents across the river.
Discover the British artist Rose Finn-Kelcey who was concerned with social activism.
Finn-Kelcey's work, like that of many artists she shared gallery space with, was also engaged in dialogues surrounding social liberation movements during this time. For instance, The Restless Image: a discrepancy between the seen position and the felt position , now owned by Tate, in which Finn-Kelcey is posed in a hand-stand on a beach, interconnects with feminist critiques of the woman as 'seen' whilst the title simultaneously draws attention to the shallowness of the viewer's gaze in the invisibility of the 'felt'.
No words are necessary. Whilst she has been described as 'one of the most imaginative and inventive artists of her generation', [ 2 ] and 'central' to the emerging artistic communities to which her work contributed, [ 3 ] Finn-Kelcey never had a solo exhibition in any of the major public galleries in London with the possible exception of a performance work at the Serpentine in A comprehensive monograph of her work was published by Ridinghouse in shortly prior to her falling ill.
A major retrospective exhibition of her work titled Power of the People was staged posthumous at Firstsite in Colchester in Contents move to sidebar hide.
Rose Finn-Kelcey was one of the most interesting and original artists of her generation.
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