Cosimo rosselli biography of barack

Cosimo Rosselli's Last Supper represents the moment of the institution of the Eucharist, while beyond the windows, three moments of the Passion can be seen.

Cosimo Rosselli was an Italian artist who may not be considered innovative, a genius, or a prominent figure in art history, but he remains an integral part of the history of painting and culture. Born in Florence, Rosselli began his artistic education at the age of 14 under the tutelage of Neri di Bicci, a relatively unremarkable artist for his time.

Rosselli studied under Bicci from May to October before moving on to work with Alesso Baldovinetti. In , Rosselli received his first commission for an altarpiece in the Florentine church of Santa Trinita; unfortunately, this work has been lost. There are speculations that Rosselli also worked with Benozzo Gozzoli, as there are stylistic similarities between their works.

In , Rosselli worked as an assistant to his cousin, the artist Bernardo di Stefano Rosselli. He also drew inspiration from artists such as Verrocchio, Sandro Botticelli, and the Pollaiolo brothers, Antonio and Piero. One of Rosselli's early works mentioned by Vasari, who is a prominent Italian art historian, is the "Assumption of the Virgin" in the church of San Ambrogio in Florence.

Vasari praised another fresco by Rosselli in the same church, particularly for its portrayal of the young scholar Pico della Mirandola.

The son of toolmaker Lorenzo di Piero d'Antonio, Piero took the name of his teacher — Cosimo Rosselli — as his own.

It was a great honor for Rosselli. Ironically, Vasari tells an anecdote about how Rosselli attempted to impress the Pope by using vibrant colors and excessive gilding in his work, hoping to overshadow his lack of creativity and drawing skills. However, the Pope was enamored by Rosselli's work, considering it superior to the others, leading to a series of unfortunate events for the other artists.

Rosselli's style partially influenced his student, Piero di Cosimo, who was nicknamed after his teacher. During the later years of his life, Rosselli's painting style became drier and less expressive, possibly in response to the influence of Girolamo Savonarola, a prominent religious figure whom Rosselli admired. Rosselli passed away on January 7, , after a debilitating illness.

He was buried in the Church of Santa Croce in Florence. In summary, this statement accurately describes the legacy of Cosimo Rosselli.